- This event has passed.
Kira Muratova ‘The Asthenic Syndrome’, 1990
Sat 14th Jul '18 - 18:00 - 21:00
The film consists of two unrelated stories: one is shot in black-and-white and the other in colour.
In the first story a woman who recently buried her husband is in a constant state of depression (and sometimes even direct aggression) ends up facing people like her, who are on the verge of a nervous breakdown.
The hero of the second story is a school teacher. As a result of personal predicaments and problems at work he has gotten the Asthenic Syndrome – he falls asleep at the most inappropriate times. He is admitted to the hospital for the mentally ill where he gains the understanding that the people around him there are not any crazier than those who live in freedom. After some time he is released and he ends up falling asleep on the subway. The empty wagon takes away the sleeping man into a dark tunnel.
Kira Muratova, one of the Russian-speaking world’s most influential filmmakers, has died. She was 83.
Muratova died in Odessa, Ukraine, where she had lived and worked for many years, her husband, Yevgeny Golubenko, told the Ukrainian news portal Buro. Friends on social media said she had been ill for some time.
A director and screenwriter, Muratova earned plaudits at home and abroad for her fearless work, which included critically acclaimed features such as The Asthenic Syndrome, a dark satire of Soviet society revolving around a student with acute melancholia. It received a special jury prize at the 1990 Berlin Film Festival.
Writing on his Facebook page, producer Yura Minzianoff recalled screenings at Moscow’s famous VGIK film school of one of her early films, Dolgie Provody (Long Farewells). It was made in 1971 but not honored at Russia’s domestic Oscars, the NIKA Awards, until 1988.
“With Kira’s passing,” he wrote, “an entire epoch ends. I remember how her students cried over Long Farewells.”
Born in a part of Soviet Bessarabia that is now Moldavia, Muratova graduated from VGIK in 1959 and went on to work with some of the Soviet Union’s most noteworthy actors and entertainers, including Vladimir Vysotsky, theater director Oleg Tabakov and actress, director and screenwriter Renata Litvinova.
Her last film, Eternal Homecoming — a love triangle about old school friends who run into each another and find they share a love for the same woman — screened at the Rome Film Festival in 2012.
Muratova’s international honors included the American Cinema Foundation’s Freedom Award in 2000, an honorary Golden Leopard from the Locarno festival in 1994 and Golden Lilies from Germany’s goEast Festival in 2001 for Second Class Citizens and in 2005 for The Tuner.
“Kira Muratova was probably not so popular with the Russian public, but film critics and people who love and know cinema consider her an outstanding director and author,” Russian distributor and sales agent Raisa Fomina told The Hollywood Reporter. “She was a rare example of honesty, artistic independence and dedication to her profession for all her life in cinema. She did not make many films during her life, and she had to overcome so many obstacles, which the state and censorship created. But if you saw her films, you will never forget them.”